Daniel Barenboim is a conductor and pianist of top international stature, known for an extraordinarily large orchestral and operatic repertoire. He is the general music director and chief conductor for life of the Staatsoper Berlin in Germany.Barenboim was born in Buenos Aires on November 15, 1942, into a family of Ukrainian Jewish descent. His mother was his first piano teacher. He later studied with his father, Enrique Barenboim, who was an eminent music professor. After playing for the noted violinist Adolf Busch, who was impressed by his talent, Daniel made his debut recital at the age of seven. In 1951, he played at the Mozarteum in Salzburg and observed Igor Markevitch's conducting class.

Four CD set. 80 huge hits from the swinging '60s. Four discs packaged in an attractive card fold out digipak. Includes tracks by The Beach Boys, Elvis, Simon & Garfunkel, Dusty Springfield, Diana Ross & The Supremes and many more!

From the first notes to the set closer, DMB was dialed-in for the performance at the Bank of New Hampshire Pavilion on August 25, 2021. A combination of playfulness and serious musical chops make this particular 2021 Summer tour show standout. With the call and response between band members on a blistering Seek Up, to the soulful vibe of Sweet and Stefan’s funky bass intro on Crush, this concert is a showcase of each band members' special talents and energy.

American vocal and instrumental duo consisting of sister Karen Carpenter and brother Richard Carpenter. Carpenters were the #1 selling American music act of the 1970s. Though often referred to as "The Carpenters", their name on official releases and press materials was "Carpenters". During a period in the 1970s when louder and wilder rock was in great demand, Richard and Karen produced a distinctively soft musical style that made them among the best-selling music artists of all time.

The Best Of The Carpenters (1980 UK mail-order only 54-track Four LP box set, with each part housed in its own picture sleeve, all housed in a superb gold embossed 12" box with guarantee slip.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Chicago XI (1977) was the final studio effort to feature the original septet, who by this time had been performing and recording for nearly a decade. In late January 1978, founding member Terry Kath (guitar/vocals) accidentally and fatally shot himself, forever altering the band's sound and indeed much of the combo's tenacious rock & roll heart. It is somewhat fitting that their ninth studio release (11th overall) contains two Kath compositions as well as a pair of additional lead vocals.

One of the new parts of an interlocking puzzle that has changed shape more than once since its introduction this year with unmistakable echoes of The Battle Of Glass Tears from Lizard adding to the sense of driving urgency of the piece. Here it abuts Meltdown which had evolved on the road during soundcheck during the 2014 tour.

Atomic Rooster was a British progressive-rock group formed in 1969 with an original lineup of Vincent Crane (organ), Nick Graham (bass), and Carl Palmer (drums).

ATOMIC ROOSTER is highly recommended to everyone looking for Hammond organ-driven rock of the early 70's but to anyone looking for high-energy prog. It is responsible for some of the all-time best hard-rock albums and should figure in all collection (you should hide a copy of "In Hearing Of …." in your grandma's collection just for kicks.

Previous hits anthologies representing this interesting prog-metal pioneer are either pricey imports, out of print rarities, sadly incomplete, or any combination of the three. Heavy Soul rectifies this by containing no less than four cuts from each of the band's first five discs that came out during the group's halcyon days of 1970-1973; In Hearing of Atomic Rooster gets eight of its nine cuts placed here, in fact. Some obsessive types might complain that none of the post-Nice & Greasy discs are represented – for some reason, there's a pocket of fans who salivate over the metallic '80s material the Roost put out before finally calling it a day – but the key material that put the band on the map is all here.

1973 BROADCAST FROM THE WHO’S QUADROPHENIA TOUR  By 1973, the Who had begun recording their Quadrophenia album, the rock opera about mod culture. The Quadrophenia tour started in Stoke on Trent in October ‘73 - the same month the record was released - but was immediately beset with sound and relationship problems. Their US tour started on 20 November at the Cow Palace; a legendary show during which Keith Moon passed out, prompting Pete Townshend to ask the audience, "Can anyone play the drums? I mean somebody good." The show was completed with audience member Scott Halpin behind Moon’s kit.  The Who’s penultimate gig in the US during their ‘73 tour, was performed at the Spectrum in Philadelphia on December 4th. Playing a stunning concert which for many fans was the best show of the tour, the Who ripped through an extraordinary set, bookended by Who classics, but with a dynamic selection of numbers from Quadrophenia at its core.

Emerson, Lake & Palmer were progressive rock's first supergroup. Greeted by the rock press and the public as something akin to conquering heroes, they succeeded in broadening the audience for progressive rock from hundreds of thousands to tens of millions of listeners. They created a major radio phenomenon as well, penning classic rock radio staples like "Lucky Man," Still…You Turn Me On," and "Karn Evil 9 1st Impression, Pt. 2," and issuing hugely influential albums like Tarkus and Brain Salad Surgery. Their flamboyance on record and in the studio echoed the best work of the heavy metal bands of the era, proving that classical rockers could compete for that arena-scale audience.